Founded in Florence in 1966, Superstudio challenged the modernist orthodoxy that architecture and technological advances could improve the world by creating alternative visions of the future in photo-montages, sketches, collages and films. The five members of Superstudio: Cristiano Toraldo di Francia, Gian Piero Frassinelli, Alessandro Magris, Roberto Magris and Adolfo Natalini...(展开全部)

Superstudio nasce a Firenze nel dicembre 1966, in occasione della mostra Superachitettura presso la Galleria d’arte Jolly 2 a Pistoia. I membri del gruppo erano Adolfo Natalini, Cristiano Toraldo di Francia, Roberto Magris, Piero Frassinelli e Alessandro Magris; Alessandro Poli è stato associato allo studio dal 1970 al 1972. Tra gli iniziatori della cosiddetta “architettura rad...(展开全部)

陆可铎以独特的写作笔法影响了千万人，被喻为当今“最能激励人心作家”中的第一人。1994年，陆可铎出版了12本书，其中11本书登上不同种类书籍的畅销榜；1997年3～4月，他的7本书同时登上CBA精品图书畅销排行榜。 过去7年中，在CBA的精品图书畅销榜上，每个月都有陆可铎的书。除此之外，他曾连续三次获ECPA年度最佳好书大奖，甚至曾同时有9本书在CBA畅销排行榜上有名……种种纪录，至今无人能及。 迄今为止，他已经写了50多本书，销量超过6500万册。他的作品深入浅出，极大地帮助读者理解生活的真谛。 他的儿童书《你很特别》和《爱你本来的样子》已在中国出版，广受读者的好评。

The first book to be published on the work of their partnership (in 2001), this is the essential primary source for understanding the theoretical and conceptual underpinnings for Dunne & Raby’s work. Consisting of three elements – a ‘manifesto’ on the possibilities of designing with and for the ‘secret life’ of electronic objects; notes for an embryonic network of critical desi...(展开全部)

著者 安东尼·邓恩（Anthony Dunne）和菲奥娜·雷比（Fiona Raby） 现任纽约新学院大学教授和研究员，曾就职于伦敦皇家艺术学院。邓恩和雷比以设计为媒，激发关于现有和新兴技术的社会、文化和道德影响的讨论，另著有《思辨一切》和《赫兹故事》。作品曾在纽约现代艺术博物馆、巴黎蓬皮杜中心等展出，获麻省理工学院媒体实验室奖。

WICKED above her hipbone, GIRL across her heart Words are like a road map to reporter Camille Preaker’s troubled past. Fresh from a brief stay at a psych hospital, Camille’s first assignment from the second-rate daily paper where she works brings her reluctantly back to her hometown to cover the murders of two preteen girls. NASTY on her kneecap, BABYDOLL on her leg Since she...(展开全部)

In this provocative and wide-ranging study, Douglas Mao argues that a profound tension between veneration of human production and anxiety about production's dangers lay at the heart of literary modernism. Focusing on the work of Virginia Woolf, Wyndham Lewis, Ezra Pound, and Wallace Stevens, Mao shows that modernists were captivated by physical objects, which, regarded as objec...(展开全部)

Robert Sapolsky explains why the latest developments in neuroscience and psychology explode our conventional idea of Free Will. The book's chock-full of complex and often counter-intuitive ideas. It's also a joy to read. That's because Sapolsky is not only one of the world's most brilliant scientists, but also an immensely gifted writer who tells this important story with wit a...(展开全部)

One of our great behavioral scientists, the bestselling author of Behave, plumbs the depths of the science and philosophy of decision-making to mount a devastating case against free will, an argument with profound consequences. Robert Sapolsky’s Behave, his now classic account of why humans do good and why they do bad, pointed toward an unsettling conclusion: we may not grasp t...(展开全部)

In this book, the founder of object-oriented ontology develops his view that aesthetics is the central discipline of philosophy. Whereas science must attempt to grasp an object in terms of its observable qualities, philosophy and art cannot proceed in this way because they don't have direct access to their objects. Hence philosophy shares the same fate as art in being compelled...(展开全部)